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20121225
20121225
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? thank you. you do look familiar. where did i see you before? u.s. they good question, did you not? -- you asked a good question, did you not? what is your name again? >> danielle. >> you are old hat here. you do this all of the time. good to see you. have fun. >> have fun, hey. show me what we are doing. what kind of lollipops are these? is this white house honey? do you know these come from bees we keep in the backyard? why? they make fresh honey, and the health the garden grove. -- they help the garden grow. >> this is good. >> did you taste these? this is good. [laughter] these are really good. ?id you put sugar on these ne how do you get it curly? >> they turned out really cute, and it is a good crunch. we should give some of the photographers some of these to see how good they taste. those are so good. healthy, tasty expects. not bad. -- snacks. not bad. ok. now we desperate. i have to figure out what design. -- now we have to decorate. now i have to figure out what design. decisions, decisions. ok. >> this is all edible, ok, guys? >> once you put this on, you can eat this lo
have always carried a little recording device of some sort. they used to be pretty big, but now they are quite small, and i always carry a pen and paper, and i am ready if something occurs to me. >> you mentioned merle travis. what other musicians? >> ry cooder is my favorite guitar player, but there are many others to choose from. there was an album that was a formative for me. "paradise and lunch." there was a guy coming up called tom rush who played here at the cellar door, and he played in boston at the 47. i really pattern myself after, just a guy with a guitar, full position, unapologetic. -- falcon musician. unapologetic folk musician. and i would say wouldtwo and the beatles. >> what do you think of current pop music? >> you know, i guess i do not like it a whole lot. [laughter] [applause] >> i guess i don't like it a whole lot. >> what would we find -- >> i sound just like my dad. there are great people out there, i know it. and i don't mean to condemn it but i think it's passed me by a little bit. i still have a wonderful career and a beautiful audience that i really l
and has put these bombs around the place. then sam jackson's character comes in and using torture and the whole film is about me being tortured by sam jackson and pushing you to see how far everybody concerned is prepared to go to get the information out of him. it was an incredibly difficult film to make for me. i remember one of the first days of the torture thing which is is something where i was chained to the ceiling and hosed down with water with fans blowing on me. and i said how are we going to do this and they said we're going to do it but not for very long. that set up a precedent for the hole film. that was a very frightening thing to go through. a point you brought up which is the idea that people's desire to be involved in helping the imaging of this completely depends on what they believe is how they are being portrayed in it. and that gets very complicated. >> it's a public they report they are trying to not to get in trouble. there are agencies who are better or less. >> i think mueller believed in the idea which he sort of watched the c.s.i. effect. c.s.i. created
Search Results 0 to 2 of about 3